NEW YORK (AP) â€" Starting this week and stability into 2012, probably all Michael Chabon novels, stories and other papers will turn accessible as e-books, news a author looks on with pleasure and resignation.
Winner of a Pulitzer Prize for "The Amazing Adventures of Kavalier & Clay," Chabon has been a published author given 1988, prolonged adequate to land on both sides of a authorised and financial digital pide.
Chabon controls e-rights to such early works as "Wonder Boys" and his acclaimed entrance novel "The Mysteries of Pittsburgh" since they came out good before a electronic epoch and digital editions were not mentioned in his contracts. For those books, Chabon sealed with Open Road Integrated Media, a digital publisher that offers 50 percent royalties. Chabon called a terms "extremely satisfactory and generous."
E-rights to "Kavalier & Clay," published in 2000 by Random House, and such new HarperCollins releases as "The Yiddish Policemen's Union" are owned by a strange publishers. For those editions, Chabon's royalties will be around 25 percent of a publisher's net profits (minus a commission paid to a seller), a attention customary and allied to what publishers offer for hardcovers and paperbacks. Countless writers and agents have pronounced a rate for e-books should be raised.
"I concluded to a normal e-book royalty, that we consider is criminally low, since we didn't unequivocally have any legs to mount on. we didn't wish to get left behind in a e-book revolution," Chabon pronounced recently.
"When it's comes to royalties on a paper book, that rate (25 percent) is totally satisfactory when we consider of a losses a publisher takes on â€" a smoothness trucks and a bureau workers and a placement chains. But it's not satisfactory for them to take a roughly matching kingship for an e-book that costs them zero to produce."
A mouthpiece for HarperCollins, Tina Andreadis, pronounced that a publisher does not "comment on a contracts with a authors." Jane von Mehren, comparison clamp boss and publisher of trade paperbacks during a Random House Publishing Group, declined to critique on Chabon's criticism. But she did contend in a matter that Random House was "thrilled" to recover a e-book and trade paperback of "Kavalier & Clay" in Jun 2012 and "reach all a intensity readers of Michael Chabon's Pulitzer Prize-winning masterpiece."
With e-books estimated during 20 percent of altogether sales, and growing, a quarrel for new and aged releases intensifies. Amazon.com, that also offers aloft e-royalty rates than normal publishers, has aggressively stretched a edition module and sealed a best-selling self-help author Timothy Ferriss. Open Road, co-founded in 2009 by former HarperCollins CEO Jane Friedman, has acquired e-rights to several renouned "backlist" works, including Pat Conroy's "The Prince of Tides," Alice Walker's "The Color Purple" and Erica Jong's "Fear of Flying."
For normal publishers, holding on to a classical can be expensive: Simon & Schuster reportedly paid 7 total for electronic rights to Ray Bradbury's "Fahrenheit 451."
Unlike Bradbury, who has likened e-books to "burned fuel," a 48-year-old Chabon has no philosophical objections, usually contractual ones. He has a Kindle app and iBook app and says one of his 4 children is enjoying a e-versions of a "Lady Grace" poser series. He loves paper texts and believes they will final forever, though understands a convenience, and necessity, of shopping a book during any time.
"I don't wish someone who only finished 'Wonder Boys' and wants to review another one of my books to be incompetent do so since there's no bookstore nearby," he says.
"The record is a cold technology, a interest is obvious. As readers, we tend to be some-more subject, some-more chase to a need of present gratification. Readers are greedy. It's a soft greed, and we consider e-books have a intensity to prove that greed."
News referensi http://news.yahoo.com/michael-chabon-e-book-rights-153304102.html
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